12/11/2023 0 Comments Devour rose locations map![]() ![]() They tip over the veggie seedling trays my husband is hardening off on the front steps, then they tear up my newly planted pots on the balcony. I didn’t have a squirrel problem either until hurricane Isabel sent a few floating over to my street in 2003. Others say these eating machines will devour any rose, no matter how thorny. Some say a hedge of rugosa roses, holly, or other prickly plants will discourage them. One school of thought is that deer don’t like walking through bushes with thorns. Deterring their destructive visits isn’t easy. An electric fence is supposed to be better yet.īut for those of us who don’t want to (or can’t) go the fencing route, we must keep searching for new ways to keep critters at bay.Įveryone who has the problem knows that deer can destroy a garden in one evening. I’ve heard experts recommend erecting an eight-foot-tall fence trimmed at the bottom with chicken wire that’s firmly planted six inches into the ground. Of course, there is no totally foolproof way to keep animals out of the garden. But when bunnies, deer, raccoons, dogs, cats, and other pests damage your plants, you may want to ring wring their furry necks. These tensions were investigated most explicitly when Lynne produced five essay films that took her to Vietnam, Bosnia, Germany, Israel/ Palestine, and Italy – sites affected by international war – where she looked at the space between a community’s collective memory and her own subjective perceptions.They may look innocent. She has tackled topics near and far, often addressing directly the challenge of translation - from one language to another or from spoken work to image. From essay films to hybrid docs to diaristic shorts, Sachs has produced 40 films as well as numerous projects for web, installation, and performance. With each project, Lynne investigates the implicit connection between the body, the camera, and the materiality of film itself. ![]() Her highly self-reflexive films explore the intricate relationship between personal observations and broader historical experiences. Since the 1980s, Lynne Sachs has created cinematic works that defy genre through the use of hybrid forms and cross-disciplinary collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. This is a conversation you don’t want to miss! They demonstrate a singular commitment to exploring the body as well as stretching the film form into a hybrid ground where anything may happen. Both artists’ fiercely feminist practices strive to translate how personal experiences often have sweeping resonances within broader historical contexts. We are so lucky to have longtime collaborator of UnionDocs, the beloved and brilliant Lynne Sachs in conversation with Zhao after the event. We can’t wait to share her rich and expressive oeuvre as we screen three short films as well as a never before seen excerpt from her in progress feature film Xi Jiao Gou. We’re also thrilled to include a live reading of Ride Home, an illustrated essay by Yehui, published by the Brooklyn Rail earlier this year! Yehui creates an inimitable visual world, one that lulls and startles all at once. To express these complex temporal dimensions, her work seamlessly employs performance, stop motion animation, puppetry, cyanotype prints, paintings, drawings and poetry. Her films present a collagic view of time as they travel easily between her own memories, historical events and dreamtime. ![]() Their feminist legacies create openings for her to contemplate their experiences within broader political contexts like migration, decolonization, feminist movements and generational love and heritage. Her work takes root in the intimate family histories of her mother and her grandmother. We’re delighted to bring you an evening of cinema and live performance with multimedia artist Yehui Zhao!Īs an immigrant born in China and living in the US, Yehui thinks of film as her third language. ![]()
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